| Name | Thesis title | Supervisor |
|---|---|---|
| Daniele Pio Buenza | Fabrizio De André and Postmodern Impegno | Dr Pierpaolo Antonello |
| Katherine Powlesland | Dante's "Commedia": towards Interactivity in 'Paradiso', with particular reference to Dante with digital narrative theory | Dr Heather Webb |
| Manuela Di Franco | American culture and the development of mass press in Fascist Italy | Prof Robert Gordon |
| Nicolò Morelli | Animal imagery in Petrarch’s poetry and in that of his models | Dr Heather Webb |
| Amelia Papworth | The lyric poetry of Laura Terracina | Prof Abigail Brundin |
| Valentina Colasanti | Comparative morpho-syntax of the (Italo-)Romance varieties | Prof Adam Ledgeway |
| Elena Pinnen | Medicine and psychoanalysis in the work of Valerio Magrelli | Dr Pierpaolo Antonello |
| Katherine Tycz | The Use of Text in Early Modern Italian Domestic Devotions | Prof Abigail Brundin |
| Sara Delmedico | Women and their legal status in nineteenth-century Italy | Dr Helena Sanson |
| Luigi Andriani | The morpho-syntax of Barese | Prof Adam Ledgeway |
| Helena Phillips-Robins | Liturgical Song in Dante's Commedia | Dr Heather Webb |
| Maria Olimpia Squillaci | Greek and Romance language contact in Southern Italy | Prof Adam Ledgeway |
| Cameron Taylor | Complementation in the Dialects of Southern Italy | Prof Adam Ledgeway |
| Daniel Finch-Race | Nineteenth-century ecopoetics | Prof Emma Wilson |
| Alessandra Diazzi | The Reception of Psychoanalysis in Italian Literature and Culture, 1945-1977: Ottiero Ottieri, Edoardo Sanguinetti, Giorgio Manganelli, Andrea Zanzotto | Dr Pierpaolo Antonello |
| Norma Schifano | Verb-movement: a pan-Romance investigation | Prof Adam Ledgeway |
| Lucia Yandoli | Ecstasy, Epiphany and Italian Art Cinema 1946-1970 | Prof Robert Gordon / Prof Abigail Brundin |
| Claudia Tardelli | Francesco da Buti's commentary on Dante's Commedia. Purgatorio, Paradiso. | Prof Robert Gordon / Prof Zygmunt Baranski |
| Anna Montanari | ‘A heart in Egypt’: Cleopatra on the Renaissance stage in Italy and England | Prof Robert Gordon / Prof Robin Kirkpatrick |
| Bea Priest | Fecundity and Sterility in Dante | |
| Alessia Ronchetti | "La donna è mobile"? On Authority and Female Movability in Boccaccio and Chaucer | |
| Giulia Cantarini | Comedy in British and Italian Film of the 1950s-1970s | |
| Ambrogio Camozzi Pistoja | Dante and the Tradition of Alexander the Great | |
| Meera Frost | Italian images of India between 1350 and 1650 | |
| Natalie Fullwood | Space and gender in commedia all'italiana, 1958-1970 | |
| George Corbett | Dante's Moral Philosophy | |
| Lucy Hosker | 'Donne sole' in Post-Unification Italy: The Works of Tommasina Guidi and Emilia Nevers | |
| Anne Leone | Dante and Blood | |
| Catherine Baxter | Language and Sex in Boccaccio's Decameron: Galeotto fu la metafora | |
| Fabrizio De Donno | Italian Orientalism | |
| Claudia Peverini-Benson | Subject-Verb (non)-Agreement: Syntactic Evidence from Marchigiano | |
| Anna Wagner | Margherita Costa: A 'Virtuosa' on the Literary Stage of the Seicento | Prof Helena Sanson |
| Eleonora Serra | Linguistic prestige in early modern Italy | Prof Helena Sanson |
| Valentina Mele | Guido Cavalcanti, Rime. A study on textual subjectivity. | Dr Heather Webb |
| Ryan Pepin | Dante, Liturgy, Lyric, and Performance | Dr Heather Webb |
For current Postgraduate students, click here
