|
Name |
College |
Research Topic |
Supervisor |
|---|---|---|---|
|
Selwyn |
Affective Contagions and Communities in Boccaccio’s Decameron | ||
|
St John's |
Morphosyntactic Microvariation in the Aeolian Dialects |
||
|
Selwyn |
Uncovering classical mythology in Dante's Earthly Paradise |
||
| Samuel Fitzgibbon | Corpus Christi | Writing Home: Letters to and from Florentine Exiles (1433-1494) Research Summary 1 | Prof Virginia Cox |
|
Selwyn |
"Polyanthea" or Polyantheas: The hidden foundation of the European Renaissance |
||
|
Caius |
16th October 1943: literature, history and memory |
||
|
Selwyn |
Quanto natura a sentir ti dispuose’: Dante and the Senses of Personhood |
||
|
Clare |
Giovan Battista Andreini (1576-1654) on Stage: Between Language and Intertextuality |
||
|
Selwyn |
'The Role of the Anthropological Method in Italian Literature (1970-1985): Italo Calvino, Primo Levi and Gianni Celati |
||
|
Pembroke |
Objects and Object Fetishism in Italian Short Stories, 1930 – 1959 |
||
|
St Catharine's |
The genre of Rime in morte in Renaissance women’s lyric poetry: Vittoria Colonna, |
||
| Ruth Murphy | St John's | Conceptualising empathy as an ethical and literary problem post-Holocaust | Prof Robert Gordon |
| Orsolya Petocz | Selwyn | Between Queer Invisibility and Hypervisibility - Italian and Francophone Text and Image | Prof Emma Wilson |
| Luigi Pinton | Clare | Witnessing the lives of others: Antonio Tabucchi's second-hand stories | Dr Pierpaolo Antonello |
| George Rayson | Selwyn | Singularities in harmony: the rhyming hapax legomena in Dante's Commedia | Dr Heather Webb |
| Onkar Singh | Selwyn | Diachronic and Synchronic Microvariation in Differential Object Marking (DOM) in ItaloRomance and beyond | Prof Adam Ledgeway |
|
St Catharine's |
Women Writing Folklore: Politics of Folk and Fairy-tale Collections from Italian and Irish Islands (1870-1920) |
||
| Jonathan Wiles | Selwyn | "Vegna Medusa": Dante's Poetics of Absence in and Around the 'Commedia' | Dr Heather Webb |
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