|
Name |
College |
Research Topic |
Supervisor |
|---|---|---|---|
|
Selwyn |
Affective Contagions and Communities in Boccaccio’s Decameron | ||
| Adelaide Brooks | Clare | Italiano, brava lingua?: The Complex Role of Italian in the Recounting of the Holocaust | Prof Robert Gordon |
|
St John's |
Morphosyntactic Microvariation in the Aeolian Dialects |
||
| Samuel Fitzgibbon | Corpus Christi | Writing Home: Letters to and from Florentine Exiles (1433-1494) Research Summary 1 | Prof Virginia Cox |
|
Selwyn |
"Polyanthea" or Polyantheas: The hidden foundation of the European Renaissance |
||
| Ruth Murphy | St John's | Conceptualising empathy as an ethical and literary problem post-Holocaust | Prof Robert Gordon |
| Orsolya Petocz | Selwyn | Between Queer Invisibility and Hypervisibility - Italian and Francophone Text and Image | Prof Emma Wilson and Prof Robert Gordon |
| George Rayson | Selwyn | Singularities in harmony: the rhyming hapax legomena in Dante's Commedia | Dr Heather Webb |
| Rebecca Reilly | Selwyn | Accessing the Inaccessible Other: Desire and ‘Interpersonal Selfhoods’ across Generic and Gendered Boundaries in Late Medieval Italian Literature | Dr Heather Webb |
| Ruoci Song | Selwyn | Virgil’s revival from ‘ombra fioca’ to ‘dolcissimo patre’: the construction of the Virgil-Dante affective relationship through gestures | Dr Heather Webb |
| Onkar Singh | Selwyn | Diachronic and Synchronic Microvariation in Differential Object Marking (DOM) in ItaloRomance and beyond | Prof Adam Ledgeway |
| Aurora Sturli | St Edmund’s | Female Writers at the Margins of Italian Literature and Culture | Prof Helena Sanson |
| Jonathan Wiles | Selwyn | "Vegna Medusa": Dante's Poetics of Absence in and Around the 'Commedia' | Dr Heather Webb |
For recent PhD awardees, please see here. Please also see our student testimonials.
