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Faculty of Modern and Medieval Languages and Linguistics


Dr Heather Webb

Dr Heather Webb
Reader in Medieval Italian Literature and Culture
Faculty of Modern & Medieval Languages
Contact details: 
Telephone number: 
(+44) (0)1223 335 852

Selwyn College
Grange Road


Dr Webb (PhD Stanford 2004) specialises in medieval Italian literature and culture with a particular interest in poetry, theology, philosophy, and visual culture. She is the author of The Medieval Heart (Yale, 2010) and Dante’s Persons: An Ethics of the Transhuman (Oxford University Press, 2016).  With Dr George Corbett, she is editor of Vertical Readings in Dante’s Comedy, 3 vols (Open Book Publishers, 2015, 2016, 2017). With Dr Pierpaolo Antonello, she is editor of Mimesis, Desire, and the Novel: René Girard and Literary Criticism (Michigan State Press, 2015).

Dr Webb welcomes inquiries from potential MPhil and PhD students with relevant research interests.

Research interests: 
  • Dante Studies
  • Catherine of Siena
  • Dominican Penitent Women
  • Boccaccio Studies
  • Early Italian Lyric Poetry
  • Leonardo da Vinci
  • Illustrations of the Comedy
  • Medieval prayer manuals and preachers’ manuals
  • History of Emotions/Affects
  • Visual cultures in conversation with textual cultures
  • Bodies and embodiment; gestures and kinesis
Recent research projects: 
  • Rereading Dante's Vita nova (co-edited volume)
  • Affect/Sensation/Emotion in Medieval France and Italy (research group)
  • Gestural Dante (monograph)
Published works: 

Dante's Persons: An Ethics of the Transhuman (Oxford University Press, 2016)

The Medieval Heart (New Haven: Yale University Press, 2010).  241 pp.  ISBN: 978-0-300-15393- 4.

Vertical Readings in Dante’s Comedy, ed. with George Corbett (in three volumes) (Cambridge: Open Book Publishers, 2015, 2016, 2017).

Mimesis, Desire, and the Novel: René Girard and Literary Criticism, ed. with Pierpaolo Antonello (East Lansing: Michigan State University Press, 2015).

‘Botticelli’s Illustrations of Dante’s Paradiso: The Construction of Conjoined Vision,’ I Tatti Studies in the Italian Renaissance 22, no. 2 (Fall 2019): 187-208.

‘Il rossore profetico’ in Dante e il profetismo, Giuseppe Ledda, ed. (Ravenna: Centro Dantesco dei Frati Minori Conventuali) 2019, 69-83.    

‘Postures of Penitence in Dante’s Purgatorio’, Dante Studies CXXXI (2013), 219-236.

‘Three Paths in One Journey’, with George Corbett, L’Alighieri, 41 (2013), 63-81.

‘Power Differentials, Unreliable Models, and Homoerotic Desire in the Commedia’, Italian Studies, 68.1 (2013), 17-35.

‘Inferno from a Purgatorial (and Paradisiacal) Perspective’, Dante’s Inferno, ed. by Patrick Hunt (Pasadena: Salem Press, 2012), 49-62.

‘Dante’s Definition of Life’, Dante Studies, 129 (2011), 47-62.

‘Deceit, Desire, and Conversion in Girard and Dante’, Religion and Literature. Special issue: ‘Deceit, Desire and the Novel 50 Years Later: The Religious Dimension’, ed. by Ann W. Astell and Justin Jackson, 43.3 (2011), 200-207.

‘“Lacrime cordiali”: Catherine of Siena and the Value of Tears’, A Companion to Catherine of Siena, ed. by George Ferzoco, Beverly Kienzle, Carolyn Muessig (Leiden:  Brill, 2011) 99-112.

‘Catherine of Siena’s Heart’, Speculum, 80.3 (2005), 802-817. Reprinted in Classical and Medieval Literature Criticism, vol. 116, (Farmington Hills: Cengage Gale, 2010).

‘Cardiosensory Impulses in Late Medieval Spirituality’, Rethinking the Medieval Senses:  Heritage/Fascinations/Frames, ed. by Stephen Nichols, Andreas Kablitz and Alison Calhoun (Baltimore: Johns Hopkins University Press, 2008), 265-285. 

‘“Per core un marmo”: Dante’s Stone Cold Rhymes’, Dante Studies, 121 (2003), 149-167.