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Faculty of Modern and Medieval Languages and Linguistics

 

Pavel Stepanov

PavelS
Position(s): 
PhD Candidate
Department/Section: 
Slavonic Studies
Faculty of Modern & Medieval Languages & Linguistics
Contact details: 
College: 
Location: 

Faculty of Modern and Medieval Languages and Linguistics
Raised Faculty Building
University of Cambridge
Sidgwick Avenue
Cambridge
CB3 9DA
United Kingdom

 

About: 

I have been researching various aspects of Soviet film history since I was working on my Specialist degree thesis (The use of painting in the work of the production designer, 2011). My Master thesis (Representations of the West in the 1920-1930s Soviet cinema, 2020) helped me develop interest in the Soviet interwar visual culture and the cinema of the 1920s. I am particularly interested in the impact international cinematic and visual culture exchange between the Soviet Union, the West and the East had on film and imagery of the era and how it affected intercultural intellectual transfer between countries.

My current PhD research is focusing on pedagogical discourse of the Soviet 1920-1930s films about uprisings in the West, in the East and in the Soviet Republics. The project explores not only films as such, but a broad discursive range of educational practices about the revolution, pursued by Soviet ideologists at various levels over the course of the decades.

 

Research interests: 

Soviet silent cinema, Soviet visual culture, international cinematic and cultural transfer, intellectual history, history of ideas

 

Recent research projects: 

Lessons of the World Revolution: Uprisings in the West and in the East in the Soviet 1920-1930s film.

Scholarships/Prizes:

Hill Foundation Scholarship

2018 European University at St Petersburg Scholarship (Academic Internship at Russia Institute, King’s College London, 2019)

 

Published works: 

Constructing the West: Western Cities in the Soviet Cinema of 1920s – 1930s https://eefb.org/retrospectives/western-cities-in-the-soviet-cinema-of-t...

From Screen to Book and Back: to the Question of Cinematic Context in Children Illustrated Books of the 1920s – 1930s http://mkmf.net/images/doc/2019_studia%20slavica.pdf?fbclid=IwAR1VMnFRn5...

Traveling from the West to ‘the Miraculous Country’: Revisiting the Context of the Origins of One Literary Narrative in the Soviet Children Illustrated Book of the 1920s – 1930s https://schoolsummer.jimdo.com/о-журнале/номера-журнала/2018-т-14-2-3/

 

Conferences:

“Crowds in ports: Revolutionary Western City in the 1930s Soviet Film”, British Association for Slavonic and East European Studies Annual Conference 2022, Robinson College, University of Cambridge, 8-10 April 2022

“On Making Friends and Foes: Representations of the West in the Soviet Cinema”, Trust and Truth: Cambridge AHRC DTP Annual Conference, Peterhouse College, University of Cambridge, 18-20 September 2019

“Traveling from the West to ‘the Miraculous Country’: Revisiting the Foreign Context of the Soviet Children Illustrated Book of the 1920s”, Artwork and its Context: International conference on Art History, European University at St Petersburg, 21-22 April 2018

“Family Business: on narratives of Film Adaptations of Anti-Fascist Novels “Professor Mamlok” (1938) and “Semia Oppengeim” (1939), International Conference of Young Philologists, University of Tartu, 27-29 April 2018

“From Screen to Book and Back: to the Question of Cinematic Context in Children Illustrated Books of the 1920s – 1930s”, International Conference of Young Philologists, University of Tartu, 15-17 February 2018